The work of Antolín Sánchez, recipient of a National Photography Prize, occurs in the passage from pixel –what has been seen and registered– to the photograph as a closed universe; from the complete message construed by the contiguity of related images to the graphic history in comic strip tradition. Antolín builds unsettling progressions showing a connection between fragment and totality, between current and archetypical, between reality and dream. The work of Sánchez is highly aesthetic, critical and dazed.
Read More2016
76 pages
La Cueva Casa Editorial